Licence to Thrill: A Cultural History of the James Bond Films

Licence to Thrill: A Cultural History of the James Bond
    IGNOU M.Com Study Material, IGNOU Books, Free Download changing times for four decades without ever abandoning its tried and true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetryJames Chapman expertly traces the annals of celluloid Bond from its inauguration withs Dr No through its progression beyond Licence to PDF or Ian Fleming s spy novels to the action adventure spectaculars of GoldenEye and Tomorrow Never Dies He argues that the enormous popularity of the series represents than just the sum total of the films box office receipts and involves questions of film culture in a wider sense Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation s might in a Cold War world where Britain was no longer a primary actor Chapman describes the protean nature of Bond to Thrill: A ePUB ↠ villains in a volatile global political scene from Soviet scoundrels and Chinese rogues in the s to a brief flirtation with Latin American drug kingpins in the s and back to the Chinese in the s The book explores how the movies struggle with changing societal ethics notably, in the evolution in the portrayal of women, showing how Bond s encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himselfThe Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema s history half the period since the introduction of talking pictures in the late s Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema."/>
  • Paperback
  • 336
  • Licence to Thrill: A Cultural History of the James Bond Films
  • James Chapman
  • English
  • 09 October 2017
  • 0231120494

About the Author: James Chapman

Licence to Thrill: A Cultural History of the James Bond licence pdf, thrill: ebok, cultural kindle, history pdf, james pdf, bond mobile, films ebok, Licence to pdf, Thrill: A ebok, Licence to Thrill: A Cultural History of the James Bond Filmsto Thrill: A kindle, to Thrill: A Cultural History epub, Licence to Thrill: A Cultural History of the James Bond Films PDFThrill: A PDF Î There isthan one author with this nameJames Chapman is Professor of Film Studies at the University of Leicester He has written several books on the history of British popular culture, including work on cinema, television and comicsHe attended Wales High School during the s He took his BA History and MA Film Studies at the University of East Anglia and then undertook his doctoral research at Lancaster University, completing his thesis on the role of official film propaganda in Britain during the Second World WarIn he joined The Open University where he Licence to PDF or taught a broad range of undergraduate and postgraduate courses and was principal contributing author to the university s first dedicated course on Film and Television History He joined the University of Leicester as its founding Professor of Film Studies in Chapman s research focuses on British popular culture, especially cinema and television in their historical contexts He has written or edited ten books, including two which he has co authored with Professor Nicholas J Cull His work draws upon the ideas of the film theorist Gilles Deleuze and applies them to understanding the role to Thrill: A ePUB ↠ and nature of popular film and television His books include studies of the science fiction television series Doctor Who and the James Bond films SFX magazine described his book Licence To Thrill as thoughtful, intelligent, ludicrous and a bit snobby bit like Bond reallyHe is a Council member of the International Association for Media and History IAMHIST and is editor of the Historical Journal of Film, Radio and TelevisionChapman has also published articles in the following journals Screen, Historical Journal of Film, Radio and Television, Journal of Popular British Cinema, Visual Culture in Britain, Journal of Contemporary History, Contemporary British History, Media History and European Journal of Cultural Studies.


Licence to Thrill: A Cultural History of the James Bond FilmsLicence to Thrill: A Cultural History of the James Bond licence pdf, thrill: ebok, cultural kindle, history pdf, james pdf, bond mobile, films ebok, Licence to pdf, Thrill: A ebok, Licence to Thrill: A Cultural History of the James Bond Filmsto Thrill: A kindle, to Thrill: A Cultural History epub, Licence to Thrill: A Cultural History of the James Bond Films PDFThrill: A PDF Î The James Bond epic is the most popular film series in silver screen history it is estimated that a quarter of the world s population has seen a Bond feature The saga of Britain s best loved martini hound who we all know prefers his favorite drink shaken, not stirred has adapted to changing times for four decades without ever abandoning its tried and true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetryJames Chapman expertly traces the annals of celluloid Bond from its inauguration withs Dr No through its progression beyond Licence to PDF or Ian Fleming s spy novels to the action adventure spectaculars of GoldenEye and Tomorrow Never Dies He argues that the enormous popularity of the series represents than just the sum total of the films box office receipts and involves questions of film culture in a wider sense Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation s might in a Cold War world where Britain was no longer a primary actor Chapman describes the protean nature of Bond to Thrill: A ePUB ↠ villains in a volatile global political scene from Soviet scoundrels and Chinese rogues in the s to a brief flirtation with Latin American drug kingpins in the s and back to the Chinese in the s The book explores how the movies struggle with changing societal ethics notably, in the evolution in the portrayal of women, showing how Bond s encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himselfThe Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema s history half the period since the introduction of talking pictures in the late s Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

You may also like...

10 thoughts on “Licence to Thrill: A Cultural History of the James Bond Films

  1. Alice says:

    A little outdated now, but an enjoyable journey through the Bond films nonetheless It was published in 1999 and ends with Tomorrow Never Dies I wonder what the author made of Die Another Day

  2. Steve Mitchell says:

    If you are looking for a guide to all the best bits from the Bond films, the biographies of the cast and crew and so on, then there are plenty of books out there for you but this is not the book you are looking for This book is a serious study to put the Bond movies including the two not made by Eon Productions into the context of the social history of the day Written by a self confessed Bond fan this is an attempt to explain the place of the Bond films in society It highlights that duri If you are looking for a guide to all the best bits from the Bond films, the biographies of the cast and crew and so on, then there are plenty of books out there for you but this is not the book you are looking for This book is a serious study to put the Bond movies including the two not made by Eon Productions into the context of the social history of the day Written by a self confessed Bond fan this is an attempt to explain the place of the Bond films in society It highlights that during the 1960s Bond set the trends but resorted to following them throughout the 1970s, that the overt racism and sexism mellowed as social attitudes in real life changed over time and that if you do look too deeply into anything no matter how trivial you will find a deeper meaning This is a must read for all Bond fans

  3. Nicolas Suszczyk says:

    Read this book like a year ago, the updated edition that includes Casino Royale I remember being a little disappointed when I saw there were no pics and I was prepared for a boring and extensive work with a lot of mumbo jumbo, but I was proved wrong as soon as I read the first pages This book is a must have for any Bond fan, particularly those who write articles and are interested in the cultural importance of the series through almost six decades It s a long book, but it s so interesting tha Read this book like a year ago, the updated edition that includes Casino Royale I remember being a little disappointed when I saw there were no pics and I was prepared for a boring and extensive work with a lot of mumbo jumbo, but I was proved wrong as soon as I read the first pages This book is a must have for any Bond fan, particularly those who write articles and are interested in the cultural importance of the series through almost six decades It s a long book, but it s so interesting that I finished it within days

  4. CreativeLEGOGirl says:

    DNFed was given the book but did not like the books and I have tried one of The movies if you are into the movies and books you probably will like it It looks very in depth but again was just not my thing.

  5. Druss says:

    An excellent read for the fans of the Bond movies.

  6. Dave says:

    I bought this book from the bookstore I worked at on Oxford Street, London, in 1999, the year it was first published I ve just read it, 16 years and five Bond films later, which gives an indication not just of how busy my life has been, but how big a priority I placed on the book.And yet, it was well worth the read Please keep in mind that this is not a fawning fan book, or a studio back compendium filled with glossier stills and dossier stats There are plenty of those books out there This I bought this book from the bookstore I worked at on Oxford Street, London, in 1999, the year it was first published I ve just read it, 16 years and five Bond films later, which gives an indication not just of how busy my life has been, but how big a priority I placed on the book.And yet, it was well worth the read Please keep in mind that this is not a fawning fan book, or a studio back compendium filled with glossier stills and dossier stats There are plenty of those books out there This book is an attempt to bring serious cultural analysis to the one of the least serious , yet most popular film franchises of all time It s pretty dry and academic by most film book standards although totally accessible by university thesis standards Occasionally the analysis gets a bit wanky and try hard but that s most Chapman quoting other self important knobshis own stuff is pretty savvy and pretty readable.As a colossal Bond fan from the 80s onward, I particularly enjoyed this book from a historical context the ways the films were viewed as a colossal phenomenon in the 60s before settling into an institutionalized ritual in the 70s Love the box office analysis of course with the international perspective Also great is the dissection of the way the films evolved from Fleming s Cold War focus, and added the humour and visual flair and flamboyanceyet kept while often acknowledging it was a sly joke the pomposity of England s superiority in international affairs Of course there s the usual stuff about why the series has had such longevity the tightrope walk of sticking to formula yet freshening things up periodically.There s nothing jaw dropping in this, and the author mostly keeps his subjective opinions about the film s qualities to himself But he s pretty spot on in his analysis of the strengths and weakness of each film and of each Bond actor , and the history part of the subtitle is just as important here and the cultural part Highly recommended, but only if you love the Bond films, and aren t afraid of big words

  7. Allen says:

    This was a fair attempt to fit in the essence of James Bond and how it fit into the society at the time, and how it fits in with other movies being made at the time that Dr No, and the others to follow it faired In my opinion the Bond movies at first set the trend and other movies tried to pick up on it, or the feeling of it They were the first movies to have the sometimes funny one liners at the end of an action sequence Lots of other action movies took that and ran with it.in particual This was a fair attempt to fit in the essence of James Bond and how it fit into the society at the time, and how it fits in with other movies being made at the time that Dr No, and the others to follow it faired In my opinion the Bond movies at first set the trend and other movies tried to pick up on it, or the feeling of it They were the first movies to have the sometimes funny one liners at the end of an action sequence Lots of other action movies took that and ran with it.in particual the Leathal Weapon movies and the Arnold movies come to mindand the Die Hard movies.for instance But in the 70 s and 80 s I feel that the Bond movies were following other trends and lost focus This book agrees with me for the most part This book made me really want to read a book about Sean Connery in his own words for instance on the making of the Bond movies he was in Still looking for that one Anyway I highly reccomend this to anyone that loves the Bond films Lots of insight in how they got going and how they came to be in the first place

  8. Matt79 says:

    I first came across this book when studying a film history module for my Social History degree With time not on my side I was only able to read the chapters regarding some of the 60s Bond films.Ten years later, I bought the book, which I regard as one of the best critiques of film available.Chapman s enthusiasm for his subject is evident and makes this an enjoyable read He provides, not only, a history of the Bond franchise, but also a fantastic appraisal of how the films helped define Britis I first came across this book when studying a film history module for my Social History degree With time not on my side I was only able to read the chapters regarding some of the 60s Bond films.Ten years later, I bought the book, which I regard as one of the best critiques of film available.Chapman s enthusiasm for his subject is evident and makes this an enjoyable read He provides, not only, a history of the Bond franchise, but also a fantastic appraisal of how the films helped define British culture and identity.The author also provides an engaging comparison of the Fleming books and their respective films Highlighting that the novels were very much a part of popular fiction reading on both sides of the Atlantic long before the films were made.For students of film, fans of Bond, or just the casual reader, this is an excellent read, a fantastic diversion into a world of spies, popular culture and good old fashioned British snobbery

  9. R says:

    A bit hard to find, this book treads middle ground between film criticism based on the tenants of some particular school of thought, and apop culture analysis of the Bond films It describes the relationship of the films to the books, how the character differs in both, and most interestingly how the character and villians evolve throughout the series in response to world events One point evolved is Bond s misogyny and how that was considerably softened in the films of the 90s This pe A bit hard to find, this book treads middle ground between film criticism based on the tenants of some particular school of thought, and apop culture analysis of the Bond films It describes the relationship of the films to the books, how the character differs in both, and most interestingly how the character and villians evolve throughout the series in response to world events One point evolved is Bond s misogyny and how that was considerably softened in the films of the 90s This peaked with Timothy Dalton s well played but rejected by fans version of a vulnerable and less than fully patriotic English Bond

  10. Ivan Zullo says:

    From Sean Connery to Daniel Craig, passing from Ian Fleming An high level analysis of James Bond, not only as a character but for what 007 means for film industry.James Chapman succeeded in providing a complete cultural history of James Bond film, with the right mix of data, quotes and thinking.A quite impressive journey from books to films, with a leit motive James Bond survived every kind of evil enemies, even the most dangerous one, time More than half century after Fleming s books, Mr Bon From Sean Connery to Daniel Craig, passing from Ian Fleming An high level analysis of James Bond, not only as a character but for what 007 means for film industry.James Chapman succeeded in providing a complete cultural history of James Bond film, with the right mix of data, quotes and thinking.A quite impressive journey from books to films, with a leit motive James Bond survived every kind of evil enemies, even the most dangerous one, time More than half century after Fleming s books, Mr Bond is still able to thrill you with his unique recipe for success